So before this whole pandemic whatnot, producer Craig Skerry and I were making a short, FOXHUNT - a prelude to, and proof-of-concept of, a feature film of the same name. Obviously we’ve pinned it for now but here’s a sample sequence animatic I made in the meantime.
The film looks absolutely mental and fun and I can’t wait to see it finished! There’s a lot of work our Proof, Inc team did here including some shots I’m proud to have designed.
Over the last few months I’ve had the pleasure of working on DORA AND THE LOST CITY OF GOLD as postvis supervisor for Proof. It’s been a lot of fun! Here’s the first trailer.
Last year I worked with VFX Supervisor Chas Jarrett on Aladdin. As Postvis Supervisor for Proof, I led a small, flexible team creating all manner of temporary visual effects to help him and director Guy Richie visualise sequences for the film once it was shot - before the costly and time-consuming business of producing the final VFX was undertaken by ILM.
I’m finally able to share some of the work I did on Jurassic World: Fallen Kingdom! I was a visualisation artist (aka "shot creator") with Proof, Inc. London. The film was an utter thrill to work on, a life goal achieved, and I'm very proud of it.